B.A., University of California, Los Angeles
Co- founder of MSA^ (Mountain School of Art), Los Angeles, CA
New Realistic Figures, Maureen Paley, London
Ship Shape Shit Shelf and the Empfang Box, Feurig59, Berlin
Spaference Room, Bortolami Gallery, New York
Spafice, Foundation Morra Greco, Naples, Italy
Audi, Meyer-Riegger Gallery, Karlsruhe, Germany
You say Tomato, I say Tomato, Galleria Fonti, Naples, Italy
Eric Wesley, China Art Objects Galleries, Los Angeles
MOCA FOCUS: Eric Wesley, Museum of Contemporary Art, Los Angeles
Bowie-Van Valen Gallery, Amsterdam, Netherlands
Pico Youth Center, China Art Objects Galleries, Los Angeles
I love WW2, Locust Projects, Miami, FL
Jeans Theory, Statements, Art Basel, Basel, Switzerland
Metro Pictures, New York
Enchilada “The Endless Burrito”, Meyer-Reigger Galerie, Karlsruhe, Germany
Ouchi, Galeria Franco Noero, Torino, Italy
Two Story Clocktower, CalTech, Pasadena, CA
Kicking Ass, China Art Objects Galleries, Los Angeles
Camper, China Art Objects Galleries, Los Angeles
1999, China Art Objects, Los Angeles
The Light of the Virgo, China Art Objects, Los Angeles
Los Angeles Confidential, Centre d'Art du Parc Saint Léger, Pougues-les-Eaux
Amateurs, CCA Wattis Institute for Contemporary Arts, San Francisco
ITALIA ITALIE ITALIEN ITALY WLOCHY, ARCOS Museo d’Arte ,Benevento,Italy
Globetrotters, 410 Cottage Home, Los Angeles, Curated by Katie Brennan
Prague Biennial, Prague, Czech Republic
Milieu, Lizabeth Oliveria, Los Angeles
Angles Gallery, Los Angeles
One Foot and Rising, Balmoral Gallery, Venice, CA
Darling, Take Fountain, Kalfayan Gallery, Greece
Substance & Surface, Bortolami, New York City, NY
Axis of Praxis, Midway Contemporary Art, Minneapolis, MN
Design-O-mite, Black Dragon Society, Los Angeles
Alien Nation, Institute of Contemporary Art, London, England
The Gold Standard, P.S. 1 Contemporary Art Center, Long Island City, NY
Survivor, Bortolami Dayan, New York, NY
Closing Down: Thanks, Bortolami Dayan, New York
A Walk to Remember, Organized by Jens Hoffmann, Los Angeles Contemporary Exhibitions, Los Angeles, CA
100 Artists See God, Curated by John Baldessari and Meg Cranston, Organized by ICA, London, England
Installations, I-20 Gallery, New York, NY
Having Differences. I-20 Gallery, New York, NY
Whitney Biennial, Whitney Museum of American Art, New York
3 fireplaces and 2 bathtubs, Museum für angewandte Kunst (MAK), Vienna
Fade (1990-2003), Curated by Malik Gaines, Craft and Folk Art Museum at the Luckman Gallery, Los Angeles, CA
Works for Giovanni, China Art Objects Galleries, Los Angeles, CA
More Boots = Many Routes, Eric Wesley, Lee O’Connor, Ryan Doolan, Transmission Gallery, Glasgow, Scotland
New Space! New Show!, Galeria Franco Noero, Turin, Italy
Adios Pendejos, OPA: Oficina Para Proyectos de Arte, Guadelajara, Mexico
Eduardo Sarabia and Eric Wesley, Sutton Lane, London
Drive By: Nine Artists from Los Angeles, Reynolds Gallery, Virginia
Freestyle, Studio Museum, Harlem, New York, Santa Monica Museum of Art
Snapshot: New Art From Los Angeles, UCLA Hammer Museum, Los Angeles
Museum of Contemporary Art, Miami, Florida
Purloined, Artists Space, New York, September 6 - October 13
Circles 3: Silver Lake Crossings, Zentrum Fur Kunst und Mediatechnologie, Karlsruhe, Germany. Curated by Christoph Keller.
Drive: Power, Progress, Desire, Govett Brewster Art Gallery, New Plymouth, New Zealand. Curated by Gregory Burke.
Young and Dumb, ACME, Los Angeles. Curated by Pentti Monkkonen.
L.A. Edge Festival, Los Angeles, organized by Simon Watson.
I-Candy, Rosamund Felsen Gallery, Santa Monica
Brent Petersen Gallery, Los Angeles.
Vitamin 3-D, Phaidon
Burton, Johanna. “Eric Wesley: Spafice”, ArtForum, No.7, March
Bovino, Emily Verla. “Eric Wesley”, Frieze online, Oct. 27
Campagnola, Sonia. “Eric Wesley: Let’s do a trade”, Flash Art, No. 253, March
Knight, Christopher..“Living friskily is best revenge”, Los Angeles Times, Aug. 3
Robinson, Walter. “HAMMER Museum gets Dean Valentine Art.” Artnet,com
Haithman, Diane. “$1-million new year's gift to the Hammer.” Los Angeles Times. Jan.5
Rochette, Anne and Wade Saunders. “Place Matters: Los Angeles.” Art in America, November 2006
Knight, Christopher, “After a bold takeover a weak message is sent”, Los Angeles Times, April 21
Butler, Cornelia, “Thesis Show,” MOCA Focus: Eric Wesley Catalogue, March.
Gair Boase, Ben Davis, Melissa Dunn, Morgan Falconer, Melissa Gronlund, Ana Finel Honigman, Jane Neal, Bill Roberts, Lauren Stakis, “Future Greats 2005”, ArtReview, December.
Kim, Christine Y. “Color Blind” V Magazine #22 April
Myers, Julian, “Just for Kicks”, Frieze Issue 72, December 2002
Gaines, Malik, “Eric Wesley to the Bone,” Artext No. 75, November 2001 Von Schlegell, Mark, “Review: Snapshot: New Art from Los Angeles,” Artext No. 75, November 2001 – January 2002
Knight, Christopher, “Cultural Evolution in Freestyle”, Los Angeles Times, October 2.
Schjeldahl, Peter, “Breaking Away; A Flowering of Young African American Artists,” The New Yorker, June 11.
Knight, Christopher, “A Snapshot of L.A. Artists,” Los Angeles Times, June 6.
Saltz, Jerry, “Post-Black; Radical Intelligence at the Studio Museum in Harlem”, Village Voice, May 22.
Intra, Giovanni, “Too Autopoeitic to Drive” in Drive catalog, Govett Brewster Art Gallery, New Zealand.